In the world of theater, few musicals have sparked as much controversy and debate as 'Hairspray'. Nearly 40 years after its initial release, the story of Baltimore's civil rights era continues to captivate audiences, but it also remains a lightning rod for discussions on race relations and representation. This is especially true for the upcoming production by Little Radical Theatrics (LRT) at the Dr. Phillips Center, where the creative team, led by cultural coordinator L'Niarae Blevins and co-choreographer Chris Payen, is tackling the musical's complexities head-on.
Blevins and Payen, both with a background in performing arts and a shared love for theater, bring their unique perspectives to the production. They understand the importance of cultural coordinators and choreographers in shaping the narrative and ensuring that the story is told authentically. Payen, with his experience in theme parks and Disney's College Program, and Blevins, with her Montessori education and theater for social change background, bring a diverse range of skills to the table.
One of the key challenges they faced was addressing the controversial aspects of the musical, particularly the non-traditional casting of certain roles and the 'white savior syndrome' that some argue spoils the story. Blevins and Payen acknowledge these issues, recognizing that 'Hairspray' is not without its flaws. However, they also emphasize the importance of using these controversies as opportunities for discussion and dialogue.
Blevins, who studied theater for social change and presented an anti-racism project under the guidance of Ibram X. Kendi, emphasizes the role of cultural coordinators in bringing light to the characters' mindsets. By asking ensemble members to study activists from the period, such as Marsha P. Johnson, Huey P. Newton, and Zora Neale Hurston, the team aims to provide a more nuanced and authentic portrayal of the era.
Despite the initial online outcry, the production has already sold out most of its three-day run, with only 10 tickets remaining. This, according to Blevins, is a testament to the community's support and their desire to engage in meaningful conversations. She believes that community theater should be a shared responsibility, where everyone contributes to entertaining and educating the community.
As LRT prepares to bring 'Hairspray' to life, Blevins and Payen are not only updating the conversation but also challenging audiences to reflect on the complexities of the story. Their approach highlights the importance of diverse perspectives in theater, ensuring that the production remains relevant and thought-provoking for modern audiences.
